Today, Élodie Poux is one of the most recognized comedians in France. And she earns her life very well! But before knowing financial ease, the actress was first a poor child, forced to lie to hide her social origins.
Élodie Poux, who currently fills all the Zeniths of France with her show Butterfly syndrome and also provides an investigator’s role in season 7 of Mask Singer On TF1, crosses a good professional period. From now on, the 42 -year -old star earns a lot of money and it is a radical change in her life …
Élodie Poux, poor child: “We didn’t have a fridge, it was the balcony”
Passing through Drink and eatLaurent Baffie’s program broadcast on YouTube, Elodie Poux agreed to speak of money, a subject often taboo among stars. “In a few months, you started winning twenty or thirty times more than before“, First launched his host, visibly well informed. To which the main concerned responded from the TAC to the TAC: “And I discovered that you shouldn’t talk about it. But you have to learn to manage it”.
And Elodie Poux, also recruited by Household scenes on M6, to add: “I grew up in poverty, we can say it. That is to say there are them they have the balls because they cannot fill the fridge, we had no fridge, it was the balcony! In real life there were five in a two room. And when the owner came, we had to pretend to be the nephews and nieces of my parents because we were not allowed to have so many children in such a small apartment. “
Élodie lice and money: “We learn to manage money, and we lose friends”
Painful memories that Poux Elodie prefers to describe as “An experience”. But who have left some traces, especially on the social life side of the one who has been in a relationship with the Belgian actor Michel Frenna for a few years. “We learn to manage money, and we lose friends. I have four friends before I do this job. We lose a lot of friends with notoriety and cash“regretted the mother of a little girl born in October 2020.
And Elodie Poux, who exercised before that the profession of extracurricular animator towards Nantes, to conclude without any bitterness: “There are three quarters that do not understand what we are doing, or miss the birthday of Machin because we are filming or on stage.”
