![Imperial, Camille Cottin chooses a dress of crazy elegance for one of the most prestigious roles of her career Imperial, Camille Cottin chooses a dress of crazy elegance for one of the most prestigious roles of her career](https://img-3.journaldesfemmes.fr/P9ZOeJ748thpw4PxDaN0Xe5rbg4=/1500x/smart/f6a1226af4af4e99baa6985f2ef542ac/ccmcms-jdf/39968728.jpg)
Camille Cottin is the mistress of ceremonies for the 77th edition of the Cannes Film Festival. During the opening ceremony of the event, the French actress appeared in an ultra chic dress, signed by a famous Parisian house.
Camille Cottin doesn’t just excel behind the cameras. The actress also proves, in each of her public appearances, her sense of style. Proof of this: during the first evening of the Cannes Film Festival, Tuesday May 14, 2024, the star honored her role as mistress of ceremonies in a breathtaking outfit.
To set the tone for this 77th edition, Camille Cottin chose a long dress in deep green velvet. The piece, with its discreet neckline, brilliantly revealed her back and shoulders in addition to lengthening her silhouette. This creation was imagined by Maria Grazia Chiuri, artistic director of the house Dior since 2017. This is a dress from the fall 2024 collection, featuring a braided belt at the waist. On her feet, Camille Cottin opted for a pair of high platform sandals, perfect for walking the red carpet with style. The actress did not skip the jewelry, since she chose to complete her look with dangling earrings and silver bracelets set with diamonds signed Tiffany & Co., the American jewelry brand whose she is the muse.
The house of Dior and celebrities at the Cannes Film Festival
Camille Cottin is not the only star to have been dressed by the Dior teams to climb the stairs. Meryl Streep also wore an outfit designed by the label: a long immaculate silk dress. Chinese actress Zhao Tao was dressed in a light green embroidered ensemble, while Juliette Binoche chose a glowing red dress.
For men, Louis Garrel showed elegant sobriety in a black tuxedo, while Raphaël Quenard was dressed in a gray suit designed by Kim Jones, the artistic director of men’s ready-to-wear. Baptiste Giabiconi, for his part, wore a black coat which borrowed the aesthetic codes of a blazer, with a white shirt and impeccably cut pants.