Down with black and dark colors: Salma Hayek’s daughter-in-law prefers color. The proof with its original look.
The Saint Laurent men’s fall-winter 2026-2027 fashion show took place in Paris on January 27 in front of everyone in Paris. Among them, we noticed Mathilde Pinault and her colorful winter look.
Virginie Efira, Charlotte Gainsbourg and Kate Moss responded to Anthony Vaccarello’s call to discover his daring creations at the Bourse du Commerce. While nighties and lace covered the female stars present, Mathilde Pinault preferred a more original look with unexpected colors for the season. Thus, the daughter of French businessman François-Henri Pinault, was dressed in an XXL volume jacket giving her an assertive look. This piece, already adopted by Miley Cyrus and Elodie Bouchez, displayed an exceptional mustard shade. Perfect for adding color in winter! Under the jacket of Salma Hayek’s daughter-in-law, we could see an orange turtleneck sweater, while a khaki skirt hid the top of her black tights. Mathilde Pinault was not satisfied with this first chromatic burst. Far from playing the card of sobriety to temper her outfit, the 25-year-old young woman has, on the contrary, relied on an escalation of strong accessories to perfect her silhouette. The play of contrasts continued with a plum leather belt, boldly placed on the hips to structure the imposing volume of her jacket. The attention to detail was omnipresent: glossy brown leather gloves elegantly extended her sleeves, while an oxblood red clutch brought the finishing touch to this sophisticated ensemble.
Where such an accumulation of shades – mustard, orange, khaki, plum, brown and red – could have bordered on visual cacophony and frightened more than one person, Mathilde Pinault succeeded in this risky bet brilliantly. She demonstrates a perfect mastery of “color blocking”, making the whole look coherent thanks to harmonious warm shades and pieces with impeccable cuts.
A rich and perfectly mastered autumnal palette which, with its unexpected brilliance, would almost make us forget the Parisian grayness, transforming the square in front of the Bourse du Commerce into a veritable tableau vivant for the duration of a fashion show.
