This detail completed the beauty of the actress during this public appearance
It is an appearance that will remain engraved in the memories of the end of 2025, confirming once again that French elegance is exported wonderfully well. During the 5th edition of the Red Sea International Film Festival in Jeddah, Juliette Binoche dazzled the red carpet by receiving the award for Best Documentary Film for In-I In Motion on December 6.
If her black feathered dress by Balenciaga caused a sensation, it was above all her daring beauty that caught the attention of hairdressing enthusiasts, the actress having dared a stunning hair transformation without sacrificing her length. Under the magical fingers of John Nollet, the hairdresser to the stars par excellence, Juliette Binoche adopted the perfect illusion of the false short bob, an ideal hairstyle tip to change your look for an evening. The expert worked on the hair in a retro-chic spirit, texturizing the material to create a very trendy wet effect before skillfully hiding the lengths at the nape of the neck, thus revealing the face with crazy modernity.
The detail that changes everything lies in this notched lock placed on the side, a real nod to the Roaring Twenties which brings an immediate touch of sophistication and structures the look. To accompany this high-flying hairstyle, the beauty treatment was entrusted to makeup artist Céline Planchenault who focused on absolute freshness, proving that “less is more” is the best anti-aging weapon. Far from overly heavy makeup that can harden the features, she opted for a luminous and transparent complexion, simply warmed up by a peach blush applied generously for an instant healthy glow.
The eyes remained soft, highlighted by light brown shadows and a touch of mascara, while the mouth was dressed in a very natural satin pink nude.
At 61 years old, Juliette Binoche offers us a magnificent style lesson here, demonstrating that a structured hair look combined with sun-kissed makeup is the winning combo to shine on any red carpet.
